DRUMline Interview and Book Review

 

 

 

Mike St. John of DRUMline with drummer Kenny Aronoff

 

 

In May, 2012, while waiting in St. Louis to interview Chickenfoot’s drummer Kenny Aronoff, Mike St. John of DRUMline interviewed me about my book DANCE OF THE ELECTRIC HUMMINGBIRD and Sammy Hagar.

St. John also wrote the following review about my book:

Music is transcendent – maybe it puts you in a better mood or reminds you of your past.   Good or Bad, music has the power to move us emotionally, spiritually…even into action.  In her book ‘Dance of the Electric Hummingbird’, Patricia Walker chronicles her spiritual journey to self realization sparked by a Sammy Hagar concert in Cabo San Lucas, Mexico.

Walker, not familiar with Hagar at the time, is dramatically and spiritually moved during her visit to Hagar’s Cabo Wabo Cantina while on vacation with her husband.  Maybe she leaves herself open to inspiration because the fun of being on vacation in a remote location and the power of music causes her to forget the rigors of daily life…being a wife and mother in Colorado.

Back in Colorado her life is consumed in the routine of preparing meals and getting the kids off to school…existing but not really living.  On her journey, Walker opens herself up to feelings and reinforcing signs that life can be enjoyed as well as lived.    Often the signs she receives are birds…symbolizing a spiritual presence accompanying her personal growth.

Walker’s transformation is extreme and she does encounter cynicism and questions the validity of what she has experienced.  Each chapter opens with inspirational quotes which help open the reader’s mind to the possibilities being explored…although it’s gonna take a journey for anyone to change.   One of my favorite quotes from the book is:

‘Music is your own experience, your thoughts, your wisdom.  If you don’t live it, it won’t come out your horn.’                – Charlie Parker

Patricia Walker ultimately acknowledges the signs she repeatedly receives and decides to live a fuller more joyful existence.  She doesn’t progress in a bubble, however, and invites the reader to discover the possibilities of fulfillment and joy.  It’s an interesting and inspirational read (available on Amazon.com) and a challenge to live life to the fullest.  Hey Patricia, did you know Charlie Parker’s nickname is ‘Bird’?

A HUGE thank you to Mr. St. John for the great interview and book review and no, I did not know Charlie Parker’s nickname was “Bird.” But after all the magical and mystical things that have happened to me on this journey, that does not surprise me one bit.

Please visit http://www.drum-line.net/blogtwo.html and http://www.drum-line.net/home.html as this is a wonderful and informative site dedicated not only to drummers and professional musicians, but to those of us who are music lovers as well. I am deeply honored to be included alongside such incredible and inspiring artists.

 

 

The Healing Power of Music and Mysticism

Nov. 29, 2009

If my mammogram had been normal, I wouldn’t have found myself in the tiny room with the radiologist that day. As she brought up the round white cloud on the black screen, I sat erect in my chair. Slouching would have been like admitting defeat.

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“You have an abnormal spot on your mammogram,” she announced. “We need to do surgery.”

There’s a lot of cancer on both sides of my family, so I was scared. I wondered if I might lose my breast or if it would be deformed from having tissue removed.

As I scheduled the surgery, I prayed. I also contacted my friends and asked them to send positive thoughts.

Then something remarkable happened.

I have a friend who practices Sufism. He’s also an incredible professional drummer. We’d lost touch over the years and I’d tried contacting him, but never had any luck.

For the past two weeks, though, I had a feeling I should try reaching him again.

I sent an email and he responded, inviting me to his concert the following night!

After the show, I told him I’d been having some health problems.

“Do you have any friends who can do a healing with you?” he asked.

“No,” I said.

“Would you be open to that kind of thing?”

“I’d be open to just about anything at this point.” I felt a sense of comfort even then.

He introduced me to several people and told them to arrange a healing circle dance with me. A week later, I received an email telling me where and when the dances were held and that Sufi master Shabda Kahn would be making a rare appearance at the next dance.

I went.

Entering the building, I became instantly aware of the fact that I was wearing jeans and a Harley-Davidson shirt while everyone else wore dresses or nice slacks. This made me want to make myself very small or invisible so no one would notice me.

As the dances began, the musicians—my friend with his djembe (drum), a woman on acoustic guitar, another on flute, and the Sufi master playing a round, stringed instrument, sat in the center. Three rings of people surrounded them.

Shabda demonstrated the first dance and gave us the words to sing. Holding hands, we moved in a circle.

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Although most of the words weren’t in English, the song was about our connection to God, the Divine within.

At first I felt as if I’d been transported back to the ‘60s: women in flowing skirts, people of all ages and colors holding hands, dancing and chanting a melody of peace and love. But as the dance progressed, I saw that my fellow dancers’ eyes were filled with kindness and I felt myself letting go: melting into the music that washed through me like water through a sieve. When I’d stopped concentrating so hard, I found that my body “remembered” the movements on some primal level.

After the first dance, while everyone closed their eyes and stood motionless, I felt energy pulsing in and out of my body in all directions and I experienced a tremendous amount of love and acceptance. It became increasingly apparent that the initial disapproval I had encountered upon entering the room had come not from those around me but from myself. No one there was judging me. My soul began to settle within itself.

When the dances ended, my friend suggested I tell Shabda about my surgery.

“Uh, okay.” I felt self-conscious all over again. I wondered how one was expected to behave around a Sufi master, a person whose superior spiritual background I had no clue about. All I knew was that everyone was bowing to him and yet, he looked just like an ordinary man to me.

My friend approached the master and sat down beside him. He waved me over. We sat facing one another as I told the master about my upcoming surgery. He said some kind words and told me that he would think positive thoughts for me, then the three of us joined hands while the two men began to chant.

“You can join in, if you know it.” The master smiled reassuringly.

But I had never heard these words before, so I sat with my eyes closed, trying to absorb every hypnotic syllable, every inflection of the foreign words. The sound of their voices soothed my soul as I was swept into the warm embrace of MYSTICISM AND MUSIC. I suddenly felt empowered.

On the day of my surgery, the radiologist scheduled to do the procedure was a different doctor than the one who had first interpreted my results. Before taking me into the operating room, the new doctor ordered more mammograms. He then called me into his office to discuss the films.

“If this is what the other radiologist was concerned about, I don’t see it,” he said pointing at the screen. “This is benign. There’s no reason to do unnecessary surgery.”

Was it simply a matter of two different doctors’ interpretations of the results? Or did the healing circle dances I’d attended days before, along with the prayers of my friends from many different beliefs cure me?

I choose to believe in the healing power of love.

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SIDEBAR: Dances of Universal Peace are a means to revivify our love and joy, and integrate ourselves with the power of Peace through the practice of meditative circle dances and walks, with singing and chanting of Divine Names and sacred phrases from many spiritual traditions.

The Dances are all-denominational and everyone is welcome. For more information, please visit http://www.riverrock.org/peace/index.html or http://www.dancesofuniversalpeace.org/

Thunder in Our Hearts

May 12, 2010

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We be shakin’ the walls, baby!

It was like an explosion roaring up from the center of the earth and flooding the hearts of everyone in the room. The drum journey was led by professional drummer Gayan Gregory Long and attended by Harley people, rock ‘n’ rollers, writers, homemakers, accountants—those from all walks of life. Wonderful!

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Gayan and I became friends several years ago, when he taught the music portion of a grief workshop I attended after my parents died. The experience was magical to me and it showed me the role music played in my mystical transformation through Sammy Hagar’s concert in 2003. Since then, it has been my goal to help others find this magic for themselves.

Which is why I wrote my book. And also why Gayan and I wanted to present this workshop. There will be many more to come.

 

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I wanted to give people an experience they might not normally have, invite them to step outside of their comfort zones, because you never know where your truths might be hiding. I had hoped that people might lose themselves and rediscover themselves through music like I did. I wanted to show them how sound can open our hearts and teach us new things about ourselves; because you see, I have learned that the avenues to self-awareness are as varied as the stars. So how do we know what’s right for us and what isn’t, if we don’t take the time to look in other directions? You just might discover a new star that no one has ever seen before. Even better, you just might discover that YOU are that new star.

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I watched the faces of the participants as they entered the room and sat down behind their drums. Some looked intimidated; most looked bewildered. But the more they drummed, the more I saw their faces change as their spirits began to integrate some of the drum’s lessons into their hearts.

 

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Then I witnessed smiles emerging, confidence building and warmth spreading throughout the group. Yes!  

The experience was also personal. As I drummed, I felt myself becoming entranced in the beat—so authoritative, so strong, so real. When I quit worrying about whether I was supposed to be using my left hand or my right, or whether there were two bass slaps and one tone or two tone slaps and one bass, my body somehow knew exactly what to do. Apparently this is something I still need to work on—quit trying to be perfect and just be. The more I allowed the rhythm and the sound to take me, the more I recognized that I should be proud of my imperfections, because by struggling to be something I’m not (perfect) I’m not being true to Who I really Am.

I also realized that I’m already perfect in my imperfection, and I should celebrate that fact. I did—through the drum. It was like sending a prayer of gratitude through the vibration, up to heaven.

Gayan taught us simple beats and assigned everyone a job, to sing, shake bells or keep the rhythm. All of us somehow all melted into one hypnotic pulse. And when I became conscious of how good we actually sounded, my soul soared even higher.

 

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During Gayan’s solo, I felt the vibration from his playing on the head of my drum in front of me. Isn’t this so like life? As human beings, we interact with one another and send vibrations between us. Only this time I could actually feel them with my hands, like tangible proof of feelings, as if to say, “Here I am, take me or not,” offered to anyone who needed to claim it without the duality of acceptance or non-acceptance.

 

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 Gayan talked about the sensation of holding the drum between our legs. I was surprised that he addressed this because the first time I held a drum in this manner, I thought something was wrong with me since it felt sort of sexual. I wrote about this in DANCE OF THE ELECTRIC HUMMINGBIRD. But it’s also symbolic. By holding the drum so close to our bodies, we acknowledge the fact that we are bringing it into a very personal space within us. Maybe that’s why it was so magical—its rhythm entered me in a way I’d never known before—just as it had done in the past.

These lessons continue to grow within me and the more I allow myself to go with the flow, the more I learn about life and myself. So I have to ask, “Am I playing music or is music playing me?”

If you fall far enough under its spell, you won’t be able to answer this question.